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Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You’ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid’s Pro Tools, Apple’s Logic Pro, Steinberg’s Cubase, and PreSonus’s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.

• Sales Rank: #720025 in Books
• Published on: 2013-10-07
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 7.75" w x .75" l, 1.49 pounds
• Binding: Paperback
• 336 pages

About the Author

Simon Langford is a professional music producer and remixer, with close to ten years of experience. He has worked on over 300 remixes, and has had tracks of his own in the UK National Top 20 Single Chart and the US Billboard Dance Chart. Simon is a regular contributor to Sound On Sound magazine and the author of The Remix Manual (Focal Press).

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2 of 3 people found the following review helpful.
A good read. A welcome addition to your arsenal.
By Bob Feeser
We are often faced with the challenges of operating the plethora of tools available in today's advanced DAW's, and there are a lot of technical publications geared at just that. Although this book glances at some of those specifics, it doesn’t go into them too deeply. What it does is look at recording conceptually.

The author has provided three main sections; corrective editing, creative editing, and restorative editing. Each section is comprised of several chapters. Even though the book centers more on the theoretical, at the end of every chapter it concludes with a hands-on approach. Comprehensively enough the hands on sections cover each of the most popular DAW’s mainly Pro tools, Logic One, Cubase, and Studio One.

My first computer-based recording system comprised of a Windows DOS based 286 with a MIDI card that would record digital based instruments, mainly my Roland synth while at the same time producing an SMTPE time code in order to sync with my Sony 4 track reel to reel tape recorder which would handle all the analog instruments such as guitar and voice. The author reflects on that era and how it evolved into the here and now.

This book being grounded in theory as well as some hands-on is a good treatise for the intermediary technician looking for a way to conceptually approach their art. The author has a lighter prose style and understands the material so well that his conceptual jargon is easy to understand in light of the application he is trying to illustrate. All in all an enjoyable read as well as an enlightened one

0 of 0 people found the following review helpful.
This is an excellent technique instructional
By Jerry Saperstein
First, this is NOT intended for audio recording and editing neophytes!

It is for the experienced editor who wants to learn advanced techniques for corrective, creative and restorative editing. While primarily oriented toward Pro Tools, Logic Pro, Cubase and Studio One, the techniques can be applied to any moderately sophisticated DAW (Digital Audio Workstation). You may have to search for the specific controls in other programs.

The book is principally text with a few black and white illustrations which some have found fault with. I don't: this is a book filled with specific instructions and explanations of what you are doing a certain thing. It is not a learn-by-pictures kind of thing. It is a teaching manual, not a picture book.

For example, the (very detailed, very interesting) chapter on time-stretching has twelve solid pages of explanation on what time-stretching is before it moves to ten pages of application specific instructions.

For the audio technician who knows something, but not everything, this is an excellent technique instructional. For those who are just starting out, look elsewhere.

Jerry

0 of 0 people found the following review helpful.
Not for the beginner teach-yourself learner
By Connie
If you already have a basic understanding of digital audio editing and work with digital equipment, this may be a good book. It covers all the areas audio editors need to know with today's digital equipment. Topics covered include:

Corrective editing; cutting copying, pasting and moving
Fades and cross-fades
Level control
Tonal matching
Comping and alternate takes
Multi-track comping
Transient Detection

Creative editing: beat-mapping and recycling
drum replacement
time-stretching
Elastic audio
pitch-shifting

Restorative Editing: third dimension
Spectral editing
Applications of audio restoration
Demixing
sound design

Because of the lack of illustrated step-by-step instructions, though, this is not a book for those who want to teach themselves this art form. This book reads more like a text book for intermediate-to-advance audio editors.

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• Sales Rank: #3436254 in Books
• Published on: 2010
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• Sales Rank: #1189515 in Books
• Published on: 1978-06
• Original language: English
• Dimensions: 11.25" h x 8.75" w x 1.00" l, 2.30 pounds
• Binding: Paperback
• 352 pages

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The Achaemenid Persian Empire (550-330 BCE) was a vast and complex sociopolitical structure that encompassed much of modern-day Turkey, Syria, Jordan, Israel, Egypt, Iraq, Iran, and Afghanistan, and included two dozen distinct peoples who spoke different languages, worshiped different deities, lived in different environments, and had widely differing social customs. This book offers a radical new approach to understanding the Achaemenid Persian Empire and imperialism more generally. Through a wide array of textual, visual, and archaeological material, Elspeth R. M. Dusinberre shows how the rulers of the empire constructed a system flexible enough to provide for the needs of different peoples within the confines of a single imperial authority and highlights the variability in response. This book examines the dynamic tensions between authority and autonomy across the empire, providing a valuable new way of considering imperial structure and development.

• Sales Rank: #1498490 in Books
• Published on: 2015-06-29
• Original language: English
• Number of items: 1
• Dimensions: 9.96" h x .83" w x 6.97" l, 2.20 pounds
• Binding: Paperback
• 408 pages

About the Author
Elspeth R. M. Dusinberre is an Associate Professor in the Classics Department at the University of Colorado, Boulder. She has published articles in the American Journal of Archaeology, Ars Orientalis, Anatolian Studies and the Annual of the American Schools of Oriental Research. She is the author of Aspects of Empire in Achaemenid Sardis and Gordion Seals and Sealings: Individual and Society.

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5 of 5 people found the following review helpful.
Balancing bottoms-up autonomy with top-down authority while dining and drinking
By A.J. Cave
Sometime around mid-6 century (547 BCE?), Cyrus the Great (559-530 BCE) conquered Lydia and the surrounding region—Asia Minor, now collectively called ancient Anatolia (subdivided into Bithynia, Cappadocia, Caria, Cilicia, Galatia, Lycaonia, Lycia, Lydia, Mysia, Paphlagonia, Pisidia, and Phrygia).

According to Herodotus, the fabulously wealthy Lydian King Croesus had consulted the Oracle at Delphi before deciding to take on the obscure young Anshanite King Cyrus. The cryptic reply of the priestess of Apollo at Delphi was: “If Croesus crosses (River) Halys [the agreed upon border with former Media, now Persia], he will destroy a mighty empire.”

That mighty empire turned out to be Lydia—later called Sparda by the Persians.

What happened to the “Anatolians” after they were added to the royal provinces (satrapies) of the Persian Empire is the subject of this engaging scholarly book by the University of Colorado’s Dr. Elspeth Dusinberre, one of the editors of the Persepolis Fortification Archive (currently housed at the Oriental Institute of the University of Chicago), and among a handful of experts on Achaemenid Anatolia.

The topic might sound of interest to only a few. But at its core, the book—a labor of love and years of intense research—is a fascinating study of exercise of imperial political power and ideology and its implications. Arguably, United States is a modern imperial power with similarities to the ancient Persian Empire.

Right from the start, Dr. Dusinberre discusses the broader considerations of empires and imperialism, and how the newly-minted subjects and citizens of an empire negotiate and renegotiate their personal domains (autonomy) within the authority of such an immense and imposing political power. As the author has noted: “Imperialism is [hardly] a thing of the past.”

The introduction offers a concise overview of the Persian Empire and then delves into how the Anatolians (re)defined themselves within the empire.

It is rather expected to assume that the elite Anatolians aligned themselves with the new Persian world order in their own best interest. But according to the author, the collaboration (or rather acceptance) extended far beyond the elite as reflected in the dining and drinking habits of (almost all) Lydians, who willingly gravitated toward the new(er) Persian customs.

This highly informative book takes another step in filling our knowledge gap about ancient Persians, as well as adding to our knowledge about the ancient Lydians.

=======================
Table of Contents:

List of Figures and Tables
Preface
Abbreviations
Chapter one: introduction
Chapter two: Governing Anatolia
Part 1: Administering Anatolia
Part 2: Combining the Practical and Ideological
Chapter three: Controlling Anatolia, Guarding the Empire
Chapter four: Eating and Drinking with Class and Style
Chapter five: Dealing with the Dead
Chapter six: Worshiping the Divine
Chapter seven: Education the Young and Old
Chapter eight: Empire and Identity in Achaemenid Anatolia
Notes
Bibliography
Index

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• Published on: 1707
• Binding: Hardcover

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• Published on: 1609
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The Bible teaches spiritual Truth in many different ways. Each chapter gives direct and simple teachings of the Truth, unsurpassed in any other work. But it is in its prayers and treatments that the Bible is transcendent. Among all the beautiful and heart-searching prayers, there is none that surpasses the wonderful and inspiring 46th Psalm.

• Sales Rank: #112266 in Books
• Published on: 1934-06-01
• Binding: Pamphlet
• 19 pages

About the Author
Emmet Fox, who lived from 1886 to 1951, was born in Ireland. His father was a member of parliament, and Mr. Fox studied electrical engineering in England. In his early adulthood, Emmet Fox became interested in spirituality. Around 1930, he moved to the United States, and soon thereafter began lecturing on spiritual themes in New York City. Emmet Fox is the author of the famous Sermon on the Mount and many other books on spirituality. He is credited with serving as a major inspiration for the founders of Alcoholics Anonymous (AA). His writings are often classified as "New Thought."

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Psalms 46 Revealed
By Marian Simpers
This is a terse and powerful explanation about God's omnipotent power. I recommend this pamphlet if you are struggling with fear and doubt. I gave it 5 stars because it is comprehensive in explaining the term -- "Be still and know."

0 of 0 people found the following review helpful.
Fantastic
By L. Thompson
Simple interpretation that sheds new insights and comfort to the very familiar Psalm. Simple read, easy to understand. Won't take but a few minutes to read, lifetime to ponder.

0 of 0 people found the following review helpful.
Be still
By Kenneth O. Aigbinode
An excellent read that I commend to anyone searching for an authentic application of this passage. The terminology is fresh and delivers the truth of the book promptly.

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