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The Postman Always Rings Twice, by James M. Cain
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1934/1946 Photoplay Edition - Its publication was timed with the release of the movie. Minor stains to boards. Pages are clean and unmarked. Dust Jacket has small chips, stains and minor tears. The spine of the dustjacket is faded. Overall a nice example of this title.
- Sales Rank: #2411811 in Books
- Published on: 1934
- Number of items: 1
- Binding: Hardcover
- 188 pages
- Photoplay Edition
Most helpful customer reviews
0 of 0 people found the following review helpful.
YOU MADE THE BED, YOU CAN LIE IN IT!
By Greggorio!
This book is a riveting classic of duplicity, love found, lost, and then found again, even eighty years after its first publication date. It has moments of gut wrenching suspense interspersed with examples of heartless cruelty, and innocent, young, sweet love. The writing is taut, sufficiently descriptive and perhaps most surprisingly, the story is still relevant today.
The best laid plans of mice and men can be lain flat by the simplest of things and early in the book, a cat of all things spoils the party for our two duplicitous love birds.
i find it hard to believe that two people who can be so cruel and heartless can ever amount to anything and if fate or karma has a say in the way things turn out for any of us in this world, then young Cora and the tramp Frank Chambers don't gave much to look forward to. And they won't get any sympathy from me.
This book is a classic of the genre. Those with any interest in crime, suspense, noir, or even the odd love story should get something from reading this delightful work of literature. Full marks for this one.
BFN Greggorio!
1 of 1 people found the following review helpful.
"The best laid plans of mice and men oft go awry"
By fra7299
Set in the backdrop of the 30s Depression, Cain's The Postman Always Rings Twice typifies hard-boiled roman noir, with seedy characters aimlessly drifting towards nature's dark side. We see this epitomized in Frank and Cora, whose existences are two-faced and bleak, their ideal happiness seemingly at the expense of others. Yet, Cain aptly takes you along with their schemes, and with a minimalist approach to narrative, exposes his character's flaws and sins. With deceptive, dishonest and generally "no good" people, Cain's novel uses dangerous situations, murderous plots, and gritty suspense to keep you entertained.
Cain sets the stage for his gritty novel when drifter Frank Chambers stumbling in to the Twin Oaks Tavern while checking to see if the coast is clear. When he's introduced to the owner's wife, Cora, it sets in motion big trouble ahead. Taken to one another, Frank and Cora begin an illicit affair and concoct a scheme to bump off Cora's husband. Whether it's Frank's bad nature that rubs off on Cora, or whether she's just a naturally rotten person too is hard to say. Maybe Cora says it best, "We're just two punks, Frank." A perfect murder, however, might not be so perfect.
What Cain brings to this novel is a simple approach to narrative and dialogue, yet effective turmoil and suspense. It is dialogue heavy at points, and at times I found the dialogue a bit confusing (identifying who was speaking), but mostly Cain uses simple, snappy dialogue to hit you quick, often with a cynical tone. A fun part of the read was just following the characters attempt to outmaneuver each other, like Frank and Sackett playing cat and mouse during questioning.
One can read The Postman Always Rings Twice and be reminded of what a noir should feel like, with shady, but street smart characters. It is a quick, easy, short novel to read, but in its one hundred plus pages, it does leave a taste for wanting to read more Cain noir novels.
0 of 0 people found the following review helpful.
"Existential Dreadnoir"
By Mike H
Talk about being years ahead of time. Before there was "Psycho" and "The Stranger," there was this 1934 novel by James M. Cain, a dialogue-driven, first-person narrative in the form of a diary by a man on death row.
While I still haven't figured out just where the title of the book relates to the story (who cares?), what I have figured out is this novel just plain works. This page-burner is a half-day read at best. It's as though someone lit a fuse on a stick of dynamite and you read faster and faster until it all blows up on the protagonist of the story and his lover, two killers who are in their relationship for the money, sadistic and masochistic carnality and, ironically, love.
The book stuck with me for days. Cain didn't waste any time on the flowery descriptions common with works of literature -- no talk of the sounds of leaves crunching underfoot beneath a sky of azure. He jumps right into the eerie plot and takes you into the minds and actions of two amoral people and what they'd do for money and their own brand of twisted love.
Many reviewers call it noir. Others would say it's full of existential dread a la Camus. I call Cain's unique style "existential dreadnoir,' and it's insanely readable and impossible to put down. Grab a couple cups of coffee, read it in five or six hours and be prepared to examine your thoughts for at least a couple of days.
Unsettling and karmic and full of irony, it's titillating crime reading at its best.
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